Orwell said there might be trouble

My songs definitely turn out to be a sort of journal, for me. I imagine they mean different things to anyone who hears them, like any song; The final product is in the mind of the listener, and no two people hear a thing quite the same way, I think.

1983, I wrote one morning with a laugh since as the song says, I live in 1983. To a certain extent it’s true. My musical tastes and songwriting vocabulary were pretty complete by the time I was 18, and I haven’t changed much, fundamentally, since then. I heard many years ago that most people spend the rest of their lives listening to the records they liked in their youth, and I thought, oh that’s awful, I don’t want to be that guy! Joke’s on me, I’m that guy. Somewhat. I mean, I hear a lot of new music in my creative and professional lives, but what comes out of me, the music I spontaneously create sometimes, seems largely rooted in my teenage brain.

“Juliet in black jeans” is an actual person, Juliet Harris, high school classmate, fellow rocker and one of the most original and stunning rock star individuals I ever had the pleasure to know. She died earlier this year, and I attended a memorial for her in Live Oak Park, organized in part by our mutual dear friend Peter Montgomery. I’m playing a short acoustic set at a birthday party for Peter this January 11, I’ll share the flier below, and I figure I’ll include 1983 in my caterwaulings.

“Never going one more year, Orwell said there might be trouble” cracked me up when I wrote it, and wow, what does it mean now? Too much, I think, I can’t quite fathom it. What have people done? They know not, methinks.

I have abandoned mainstream news sources (if mainstream even means anything anymore), I just don’t need to follow the play-by-play at this time. I know the big headlines and that’s enough. I had this sense, a few weeks ago, an idea, that the smallest pieces of local news are just as significant if not more so, than the hideous firehose of idiot shit we are asked to consume. A cat, napping blissfully in the sun of a bookstore window, matters more to me. Imagining the cat’s experience, or that of a dog gleefully playing as they do, gives me joy. I read Heather Cox Richardson every few days, and occasionally Dan Rather and a few others. The comedic satire of Jon Stewart and friends doesn’t connect with me at the moment, much as I love them, for reality has become satire again. People, a great many people, chose absurdity in its ugliest form, whereas I reject it. To some degree the world is as one sees it, and we do choose what we look at and listen to. I value my minutes in this life and will selfishly curate them. Somehow wrestling with these principles led me to write and record this:

And then somehow, without any wrestling at all, this song Donkeyfish emerged, and it turns out to be one of my own favorites of my work from this year, or maybe ever. It just burst forth, I had the idea and recorded each part once and bam, it was done before I knew it. I do labor hard on some songs, sometimes, and in some funny way I think my inner muse rewards me for those efforts by just handing me one, sometimes.

After this jaunt, I googled “Donkeyfish,” of course, and lo and behold, there is a Donkey Fish! Dermatolepis inermis. Also called the marbled grouper, mutton hamlet, rockhind, or sicklefish grouper. That’s a lot of names for a fish, or a donkey.

This many-splendored planet. I am glad to visit.

A Week Ago And Only Once

HERE is a scan of the set list I played at Ivy Room last Sunday. Blogging it as a memento, as it was a fun slice of life. Funny detail? I’ve started to use non-cursive print lately, along with my usual BLOCK LETTERS. With a pen, mind you, these ancient instruments.

I’m scheduled to play a set for Peter Montgomery’s 60th birthday party, at Gilman, in January, with a luminous cast of luminaries. Here’s the flier for that, as created by Peter himself:

And good morning

Busy Busy Having Fun

Hey, I’m doing a solo set opening for Psycotic Pineapple! Deets:

I released a Schlager! It’s here:

And I’ve been keeping up somewhat on my mewsletter, which I invite you to follow here: https://berkeleycatrecords.substack.com/

I bought the postcard stamps for my 200 get out the vote postcards via TurnoutPac, yesterday, and that was rather thrilling, actually 🙂 What are you doing to ensure a Blue Wave?  Let’s get it, y’all!  That’s all, I gots work to do, Happy Caturday <3

Swaps, Uptones, and Various Ugly Things?! Why yes, Petunia

In which we share Down Home Music’s newsletter! Here it be:

Swaps, Uptones, and Various Ugly Things
——————————–

The Down Home Music Parking Lot record swap meet. Sunday, July 30th, from 8am to 12pm. 10341 San Pablo Avenue, El Cerrito. For further info contact JC at 510.525.2129. mail@downhomemusic.com. No entry fee. No sellers fee. Weather pending. All things audio: vintage LP’s, 45’s, 78’s, stereo gear, amps, instruments, and more…
PS. Not to be confused with our 2nd Sunday 45/78 swap.

Eric Din from the Uptones will play his
first show in eons, at Down Home Music
on Saturday, August 12 at 2 P.M.
—————–

We Now Carry Both Retro Garage UGLY THINGS & Futuristic Art HI-FRUCTOSE Magazines

TOMORROW’S ART TODAY
————————-

We Are Beginning to Feature Rare Vinyl LPs from Mr.Chris’s Personal Collection in Our Store

Visit Our Online Store:

downhomemusic.com

Down Home Shindig

About a year ago I visited Down Home Music for a wee panel-ish discussion with author Bill Kopp, on his fab 415 Records – Disturbing The Peace book tour. After the event, the good folks at Down Home asked me if I’d like to come in and do a solo set sometime, and sure enough, that’s what I’ll be doing this August 12 right around 2PM.  We’ll have a flier for this soon I think, and I’ll share it up on the accursed socialnets then, and for now, here it is on a wee down home bloggy post. Pop on in, say hi, it’s free! On a Catursunday, no less.

7-22, Updating with flier 🙂

Misinformed single is now available and we are tickled

Log rolls downstairs, alone or in blogs..

Hey! I haven’t written here in a while, and I’m excited to pop in and share a few items this morning.

I just released a new song called Misinformed. It’s on Bandcamp now and will hit the streaming contraptions in about a week.

This is the first track on my CONTENT album, which has an official release date of August 1, a CaturTuesday. Why a few months out? So we can release some singles in advance of it and have some fun putting some light on a few individual songs before publishing the whole kaboodle. So here’s an ask – (“ask” is a noun, now, I’m dealing with it..) – my ask is that you give ‘er a listen and if you dig it, buy or share it or both. Elaborate, no? This is our marketing strategy. YOU are our marketing strategy. And regardless of any of it we send you big kittycat love on this auspicious Caturday.

On August 12, also a Caturday, I’m singing a few songs from both my STREET PARTY and CONTENT albums, at Down Home Music in El Cerrito, around 2PM. I’ll be doing this solo, with an acoustic guitar, perhaps telling a yarn or two about my creative journeys and whatever comes to mind, we shall see, and y’all are invited to pop in and join me. The good folks at Down Home will have copies of both albums on CD available for sale, for any CD-inclined cats among ye. We’ll call it my book tour, even though, it’s not a book. It is content, however, I can confidently say.

Drinking A Case Of Joni Mitchell With Pollyana Bush

As a guitar player, I’ve rarely used anything but standard tuning. I don’t even like capos. So it was a new challenge to learn three custom tunings to accompany the amazing and beautiful Pollyana Bush, on three Joni Mitchell songs. This is part of her concert series, “Full Circle, musings on Laura Nyro, Joni Mitchell, and Carole King.” We’ve done the gig once in the East Bay, and tomorrow we’re doing it in San Rafael.

One of the songs, “Case Of You” was challenging for another reason – I couldn’t not cry when we were doing it. Ridiculous, no? But seriously, once I got the song down, every time we’d play it and Pollyana started singing, my eyes would be raining. This leveled out after a while and I was composed during the performance. I can’t recall another song/singer ever affecting me in that particular way. Why am I sharing this? Oh, I don’t know, why not.

We’re doing “Case Of You” in an open-G# tuning, and I needed to figure out how to make it sound something like a dulcimer doubling a guitar. Luckily, Pollyana has a Taylor acoustic with a cutaway, which is perfect for this. Another song I’m playing on is “Help Me,” which is open-tuned to C Major 7th. Who does that!? It’s been a great experience learning these songs, and to sort of get a glimpse into Joni Mitchell’s creative process. You couldn’t play these songs in standard tuning, it’s physically impossible. I found myself wondering – does Joni play with the tuning and THEN write a song, or hear a song in her head, and then tune the instrument to fit? Both approaches maybe? She uses so many tunings, and they are wildly different. Now I’m fascinated enough to find some interviews with her, and see if she talks about this. Tackling this was made much easier by the wealth of info provided by Joni Mitchell herself, on her own website.

I’m thrilled to be on this gig, with some amazing cats, including the great Raz Kennedy. Raz called me asking if I knew anyone who could do this kind of guitar playing, a few weeks before the earlier concert. I recommended a few players but none were available, so I started learning the odd tunings to see if I could even get there. It turned out to be a really fun and rewarding guitar lesson, and now, as a consequence of this, I wrote a song in open-G! A good friend told me years ago the day you stop learning is the day you die. I guess I’m still alive.

Here’s the concert info, I think some tickets are still available if you are interested.

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Oh, and Pollyana, this happened to your guitar case. But don’t worry, Lucy is very neat and does not have fleas.

Case Of Lucy
Case Of Lucy