I used to love SoundCloud. I thought they had a great interface for both music listeners and creators. I recently heard they were having trouble, but I uploaded my latest single there, hoping the experience wouldn’t be awful. I quickly found out that the worst stories I’d heard about SoundCloud’s demise are true. You can read more about the sordid mess here if this interests you. Long story short there’s fake “plays” being sold to artists and you get hassled by bots and SoundCloud is barely paying for real plays anyway and they’ve laid off half the company and closed offices and it’s going down like Titanic. Meanwhile the CEO says everything is great, because that’s what CEO’s do, I suppose, to extract the last bit of blood from a dying, once-beautiful beast.
I’m leaving my song there, although I have removed the embed from my own site. I’m leaving it because the lyrics just seem right for this.
They’re making music with artificial intelligence
to be enjoyed by artificial life,
I’ll take it all in, watch babylon fallin’
Eatin’ popcorn with my artificial wife
The song is “Everything Is Wrong” and you can hear it (for real!) and download it here. You wont be spammed or asked to log in or give me your email or your firstborn or anything. Just play it and feel free to share if you like it.
I’m excited to announce that my next solo track is ready and I’m putting it out this week. The song is “The Laughing Man,” which I co-wrote with my Uptones band mate, brother Paul Jackson. My EP is slowly but surely growing into an album. Oh and I got some more CD’s finally! If you want one, please ping me or order from here. It’s also in Spotify and iTunes if you prefer those wabbit holes. The other song in this new pair is called “Everything Is Wrong,” and it will follow soon. Here’s the artwork by Shannon Wheeler. I look forward to sharing these tunes! That is all. Cheers and thanks <3 E
As the rain continues to pour on our thirsty California, I’m reflecting on the last year a bit, and considering what to do next. While the debacles of 2016 played out, I spent some time writing and recording new music. I released four new songs as “Peace and Love and Rock and Roll part 1” as the new year arrived. Nearly everything about it is a first for me. I’ve never done a solo record before, I’ve always worked with bands. Never self-released anything before, or self-produced.
I’m glad I did it, and I have decided to do more. I made a new website to host my records, and after thinking very hard about it for almost two seconds, decided to call it peaceandloveandrockandroll.com. You can pick the EP up there instantly in download/digital form, or even order a physical CD if you like, from the very small batch I made.
Wishing you all a good start to this strange new year. I am going to go swim in the rain now.
Peace and Love and Rock and Roll to you and yours,
I played guitar on that recording, along with young Matt and his fabulous Distractions. He’s a helluva songwriter and musician, and it’s been a pleasure to work with him and watch him go from open-mic wiz-kid to budding rock star. I’ve been by turns, a session player, coach, and even tour manager for this band, when they supported Blues Traveler on their US tour last fall.
“Holding On” is one of my faves in their live set, and I dig the “rollercoaster” metaphor in the vid. Occurred to me also, that “holding on” is like attachment in the Buddhist sense, the cause of suffering, and that gives the chorus its power. But I think too much. “Holding on, cos I don’t know what’s true.” Amen, brother.
Recently I’ve been making some new recordings of my own, and young Matt actually co-wrote and played guitar on one of them. So the circle is complete! More on that later. Cheers all!
This is a reel of solos I plucked from various records I’ve played on over the years.
Here are the tracks and albums they are from:
1. “Radiation Boy” – The Uptones – Skankin’ Foolz Unite! – 2008
2. “Psychotic Reaction” (Count 5 cover) – The Fashion Slaves – Check Out The Fashion Slaves – 2011
3. “Write A Song About Me” – Matt Jaffe & The Distractions – Blast Off EP – 2015
4. “Sky High” – HOBO album – 1993
5. “Not From Here” – Stiff Richards – Email EP – 1998
6. “Fell In And Out Of Art” – Stiff Richards album – 1996
“… And Out Come The Wolves” is my favorite Rancid album, and “The 11th Hour” is a collaboration I’ll always be proud of. Tim Armstrong and I wrote it in about three hours spread out over as many days, as the band was deep into the finishing stages of recording. I was surprised that Tim wanted to push one more song through the works, but it not only made the cut but ended up being track #2 on the record. There’s a 20th Anniversary remastered edition that just came out, more on that at Epitaph Records. This album was the soundtrack to my life in late 1995.
This record from STIFF RICHARDS features 5 original songs with lead vocals from The Rev. Paul Jackson, and some phenomenal drumming from Tuan Titlestad. On the opening track, “Not From Here” (later covered by The UPTONES), you hear the collision of Bennie Wood’s commanding ska bass style and Tuan’s all-out rock drum approach. That sets the tone for the whole EP and it does not let up. “Halibut” is a personal favorite of mine, especially as it finds Paul channeling Sasquatch, explaining, “Don’t call me Bigfoot.” The set closes with “Bonnie and Clyde” (also later covered by The UPTONES) which was composed in the studio. These songs called for me to go hog-wild on guitar, and I love how it all come out.
The Fashion Slaves started as a side project when Emily Jayne was singing and playing guitar with The UPTONES in 2011. We got home from a little tour and she’s rarin’ to go so we decided to make a four-piece rock band. I called Eric Knight whose bass playing I loved in ENGINE 88, and young Pete D’Amato completed the combo on drums. This live album contains one of our earliest performances. Our producer Matthew King Kaufman encouraged us to play the Millard Fillmore High School dance, and sent Michael Rosen out with his mobile recording setup to capture it. The opening cut is our cover of “Psychotic Reaction” which was so damn fun to play as it has two (!!) extended guitar solos, so I went completely nuts right at the beginning of the set. Here’s a video Emily made for the song.