This is a reel of solos I plucked from various records I’ve played on over the years.
Here are the tracks and albums they are from:
1. “Radiation Boy” – The Uptones – Skankin’ Foolz Unite! – 2008
2. “Psychotic Reaction” (Count 5 cover) – The Fashion Slaves – Check Out The Fashion Slaves – 2011
3. “Write A Song About Me” – Matt Jaffe & The Distractions – Blast Off EP – 2015
4. “Sky High” – HOBO album – 1993
5. “Not From Here” – Stiff Richards – Email EP – 1998
6. “Fell In And Out Of Art” – Stiff Richards album – 1996
When SF Chronicle pop music critic Joel Selvin interviewed Paul Jackson, Moose Lethridge and myself for his article about The Uptones’ reformation in the 2000’s, we had no idea it would be part of a cover story in the Sunday Datebook. Shortly after the release of our Skankin’ Foolz Unite! CD, there it was next to the morning coffee and we were gobsmacked. Pat Johnson took the cover photo and Katy Raddatz got some fun color action shots of the band in rehearsal in West Oakland. You can read the saga in SFGate. Thanks Joel, and thanks everyone who has enjoyed this long, strange, ska trip with us.
“… And Out Come The Wolves” is my favorite Rancid album, and “The 11th Hour” is a collaboration I’ll always be proud of. Tim Armstrong and I wrote it in about three hours spread out over as many days, as the band was deep into the finishing stages of recording. I was surprised that Tim wanted to push one more song through the works, but it not only made the cut but ended up being track #2 on the record. There’s a 20th Anniversary remastered edition that just came out, more on that at Epitaph Records. This album was the soundtrack to my life in late 1995.
This record from STIFF RICHARDS features 5 original songs with lead vocals from The Rev. Paul Jackson, and some phenomenal drumming from Tuan Titlestad. On the opening track, “Not From Here” (later covered by The UPTONES), you hear the collision of Bennie Wood’s commanding ska bass style and Tuan’s all-out rock drum approach. That sets the tone for the whole EP and it does not let up. “Halibut” is a personal favorite of mine, especially as it finds Paul channeling Sasquatch, explaining, “Don’t call me Bigfoot.” The set closes with “Bonnie and Clyde” (also later covered by The UPTONES) which was composed in the studio. These songs called for me to go hog-wild on guitar, and I love how it all come out.
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The Fashion Slaves started as a side project when Emily Jayne was singing and playing guitar with The UPTONES in 2011. We got home from a little tour and she’s rarin’ to go so we decided to make a four-piece rock band. I called Eric Knight whose bass playing I loved in ENGINE 88, and young Pete D’Amato completed the combo on drums. This live album contains one of our earliest performances. Our producer Matthew King Kaufman encouraged us to play the Millard Fillmore High School dance, and sent Michael Rosen out with his mobile recording setup to capture it. The opening cut is our cover of “Psychotic Reaction” which was so damn fun to play as it has two (!!) extended guitar solos, so I went completely nuts right at the beginning of the set. Here’s a video Emily made for the song.
This is a compilation featuring each of the six people (so far!) who have performed lead vocal duties in The UPTONES: Erik Rader, Charles Stella, The Rev. Paul Jackson, Moose Lethridge, Emily Jayne, and myself. The most recent recording (“T.V. Guns”) is from 2010, and the earliest (“Out To Sea”) is from 1983! We did a show in 2011 in which we got all these characters onstage to perform their signature Uptones songs. It was an epic bit of cat-herding but definitely worth it, the show was a blast. That probably won’t happen again, but you can still get the record from iTunes, or order a CD from uptones.com – I think we have like 2 left!
Here’s a nice little write-up from Aidin Vaziri about Matt Jaffe & The Distractions in the SF Chronicle. It’s a local paper so I picked up a paper copy for my wall of course! I love Matt’s songs, and it was really great fun playing guitar with the his band the Distractions, on their latest recordings. See these guys on tour if you get the chance, they’re phenomenal!
Playing the Gilman Street Project as it was then known, is unlike playing any other venue. It’s all-ages and volunteer-run and there’s no booze inside. All of the energy of the audience pours onto the stage and is amplified by the band and launched back in a way you don’t often find in mainstream clubs. There’s a sign that says “NO STAGE DIVING” and that’s pretty funny. We played two sold-out shows in August of 1989 when the club was starting and The UPTONES’ 1st chapter was ending. Beserkley Records got ahold of a recording of the 2nd night, mastered it up and released it! You can hear a few tunes from it at uptones.com or pickitup at iTunes.